Reba Maybury subverts art nouveau's erotic legacy
· artdaily
AI Briefing
- Reba Maybury's exhibition I Come in Peace challenges Gustav Klimt's erotic legacy by subverting the Secession building's Art Nouveau architecture with a site-responsive project that incorporates usernames from online forums where men review their experiences with female sex workers in Vienna.
- Maybury's work interrogates the intersections of feminism, sexuality, labour, and power, questioning the power dynamics at play in the art world and historical art movements.
- The exhibition's use of the same gold Art Nouveau typeface as the building's existing decoration adds to the tension and discomfort of the installation.
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