‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

AI Briefing

• – Austrian artist Florentina Holzinger's Venice Biennale pavilion explores the concept of apocalypse, drawing inspiration from the 1995 film Waterworld.
• – The immersive installation features a side of body horror, amplifying the sense of unease and disorientation.
• – Holzinger's work critiques the consequences of human actions on the environment and our relationship with the body.